"In Greek mythology, the satyr Marsyas is a central figure in two stories involving music: in one, he picked up the double oboe (aulos) that had been abandoned by Athena and played it; in the other, he challenged Apollo to a contest of music and lost his hide and life. In antiquity, literary sources often emphasise the hubris of Marsyas and the justice of his punishment."

"Among the Romans, Marsyas was cast as the inventor of augury and a proponent of free speech (the philosophical concept "parrhesia") and "speaking truth to power." The earliest known representation of Marsyas at Rome stood for at least 300 years in the Roman Forum near or in the comitium, the space for political activity. He was depicted as a silen, carrying a wineskin on his left shoulder and raising his right arm. The statue was regarded as an indicium libertatis, a symbol of liberty, and was associated with demonstrations of the plebs, or common people. It often served as a sort of kiosk upon which invective verse was posted."

"The plebeian gens of the Marcii claimed that they were descended from Marsyas. Gaius Marcius Rutilus, who rose to power from the plebs, is credited with having dedicated the statue that stood in the Roman forum, most likely in 294 BC, when he became the first plebeian censor and added the cognomen Censorinus to the family name. Marcius Rutilus was also among the first plebeian augurs, co-opted into their college in 300, and so the mythical teacher of augury was an apt figure to represent him."

"The descendant of Marcius Rutilus, L. Marcius Censorinus, issued coins depicting the statue of Marsyas, at a time when the augural college was the subject of political controversy during the Sullan civil wars of the 80s BC. On the coin, Marsyas wears a Phrygian cap or pilleus, an emblem of liberty. This Marcius Censorinus was killed by Sulla and his head displayed outside Praeneste. Sulla's legislative program attempted to curtail power invested in the people, particularly restricting the powers of the plebeian tribunes, and to restore the dominance of the senate and the privileges of patricians."

Provenance: CNG 106 (13 September 2017), lot 649.

The moneyer selected the design to play on his name, Marsyas sounds like Marcius. Marsyas found Athena's flute. Inspired by the breath of a goddess, it played beautifully. Foolishly he challenged Apollo to a musical contest. Apollo won by singing to the music of his lyre. As a just punishment for his presumption, Apollo flayed Marsyas alive. His blood was the source of the river Marsyas, and his skin was hung like a wine bag in the cave out of which that river flows. The column depicted on reverse stood on Forum Romanum near praetorian tribunal. It was built by moneyer's ancestor C. Marcius Rutilius Censorius who as the first plebeian became augur in 300 BC and who also became censor as one of the first plebeians.

"In Greek mythology, the satyr Marsyas is a central figure in two stories involving music: in one, he picked up the double oboe (aulos) that had been abandoned by Athena and played it; in the other, he challenged Apollo to a contest of music and lost his hide and life. In antiquity, literary sources often emphasise the hubris of Marsyas and the justice of his punishment.

Among the Romans, Marsyas was cast as the inventor of augury and a proponent of free speech (the philosophical concept "parrhesia") and "speaking truth to power." The earliest known representation of Marsyas at Rome stood for at least 300 years in the Roman Forum near or in the comitium, the space for political activity. He was depicted as a silen, carrying a wineskin on his left shoulder and raising his right arm. The statue was regarded as an indicium libertatis, a symbol of liberty, and was associated with demonstrations of the plebs, or common people. It often served as a sort of kiosk upon which invective verse was posted."

The plebeian gens of the Marcii claimed that they were descended from Marsyas. Gaius Marcius Rutilus, who rose to power from the plebs, is credited with having dedicated the statue that stood in the Roman forum, most likely in 294 BC, when he became the first plebeian censor and added the cognomen Censorinus to the family name. Marcius Rutilus was also among the first plebeian augurs, co-opted into their college in 300, and so the mythical teacher of augury was an apt figure to represent him.

The descendant of Marcius Rutilus, L. Marcius Censorinus, issued coins depicting the statue of Marsyas, at a time when the augural college was the subject of political controversy during the Sullan civil wars of the 80s BC. On the coin, Marsyas wears a Phrygian cap or pilleus, an emblem of liberty. This Marcius Censorinus was killed by Sulla and his head displayed outside Praeneste. Sulla's legislative program attempted to curtail power invested in the people, particularly restricting the powers of the plebeian tribunes, and to restore the dominance of the senate and the privileges of patricians."

Provenance: CNG 111 (29 May 2019), lot 613. From the Alan J. Harlan Collection, purchased from Edward J. Waddell, Ltd.

Ex Andrew McCabe Collection; Ex Numismatica Ars Classica AG (Auction 106; Lot 407); Ex Elvira Eliza Clain-Stefanelli (1914-2001) Collection.

L. Marcius Censorinus, C. Mamilius C.f. Limetanus and P. Crepusius